Human nature is unique in mental complexity and derived consciousness, specifically in creativity, ethical thought, and individual personality. But uniquely human and anchored in the brain is also the appreciation of aesthetics, art, and culture – all fuzzy and interrelated linguistic concepts. Is the response to the aesthetic, to art, a genetically given human mental capability or is it culturally learned? Is art necessarily related to skill? What are the limits of art – as compared to the decorative, to “kitsch”, to copies or reproductions – or to just offering a sensory effect? How do we actually assess “aesthetics” – whether in nature, technical products, or art? The response of the emotional side of our brain lets us appreciate some forms of “art” – especially when connected with symbolic allusions. But the attracting of mental focus – whether to the interesting, intriguing, provocative, or just to the common – is also effective, especially in modern art. What is most effective – to attract admirers, to obtain value? We use art to project taste, social standing, improve the quality of our homes and communities – or to advocate. Practical value of art results from demand-and-supply balances, where demand is often a matter of culture, experience, or fashion.
Different
aspects of aesthetics
What
responds
in the human mind?
Why
is
value attributed?
Art:
Definition
of “Art”
What
is
art?
Art
as
a creative process
What
responds
in the human mind?
Culture:
Definition
of “Culture”
What
responds
in the human mind?
Why
is
value attributed?
Aesthetic, Artistic or Cultural Possessions – Spiritual Value, Projections of Rank or Wealth,
Civic
Focus
Obsessions in
Collecting
Quality of Life – for the individual, for society
Value
What is most effective -- to attract admirers, to obtain value?
Conclusion
.
Information Source
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